The Electric Woman
Women Electrician Association
Release date: 05/01/2018
Genre: Nonfiction
The Electric Woman by Tessa Fontaine Tessa Fontaine’s astonishing memoir of pushing past fear, The Electric Woman, follows the author on a life-affirming journey of loss and self-discovery—through her time on the road with the last traveling American sideshow. Tessa Fontaine is the author of The Electric Woman: A Memoir in Death-Defying Acts, A New York Times Editors' Choice; A Southern Living Best Book of 2018; An Amazon Editors' Best Book of 2018; A Refinery29 Best Book of 2018; A New York Post Most Unforgettable Book of 2018. Tessa spent the 2013 season performing with the last American traveling circus sideshow, the World of Wonders.

Wilder Woods - 'Electric Woman' Out NowDownload/stream: say you’ll know it when you feel it. I met Mary Reames. The Electric Woman explores these issues, set against a poignant love story, as Holly, unlike any machine before her, experiences love, tragedy, loneliness, and the pain of loss. Read more Read less 'The Lost Girls of Devon' by Barbara O'Neal.


The threat of mortality has a peculiar way of amplifying a person’s regrets. The Electric Woman, an honest and emotionally vulnerable memoir by Tessa Fontaine, chronicles the author’s relationship with her mother, who suffered a massive stroke that left her a shadow of her former self.
The Electric Woman Tessa Fontaine
Inspired by her mother’s lust for life, Fontaine decides to challenge herself and conquer her fears. She says of her mother, “She’s a yes person, a woman of adventure. When I begin to doubt that I can pull this off, I stop and think of her.” On a whim, the author accepts an invitation to join a traveling circus. Although she essentially bluffs her way into a job, Fontaine quickly finds herself fully immersed in the rag-tag carnival lifestyle. She is drawn to this world of illusions and the carnival workers’ ability to seamlessly transform onstage. Fontaine takes up the acts of escape artist, snake charmer and “Electric Woman,” an act during which she lights bulbs with her tongue.
Fontaine partially frames her memoir as an anthropological investigation. She is a stranger in a strange land, observing the various characters that comprise the circus. Yet despite her misgivings, she finds a genuine camaraderie with her carnival co-workers. Throughout the circus narrative, Fontaine soberly recounts hospital visits with her mother in the Bay Area, her obvious love for her mother permeating each interaction like perfume.
In this memoir that seamlessly balances grief, loss and wild-eyed determination, Fontaine makes a compelling case for using fear as an unexpected gift.
This article was originally published in the May 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.
